Archive | November, 2010

Happy Thanksgiving

26 Nov

Renée Reynolds: Turkey Day Drawing

Newest Work @ UCLA MFA Open Studios

25 Nov

Please see new work (including Kim Ye’s new piece that “annihilates discourse”) at the UCLA Graduate Open Studios in Culver City on December 4th! Studios are open from 6:00pm-9:00pm. Need a map?

Mystery Artifact

14 Nov

{NOTE: Elizabeth Glazner is a California-based writer, web designer and artist who occasionally blogs about drawing at Drawings and Digressions. She’s our guest blogger today.}

I don’t like the assumption that some people can draw and others can’t. Anyone who can hold a pencil or a pen, or in some way create some sort of mark-making, can draw, just as anyone who can think can write. We are all artists and writers in that sense.

Witness the doodle or the tweet. Both of these are means of communicating in our culture, though the first is usually done in a semi-aware and private manner and the latter is designed to be a shout out to others. What they have in common is that they are both organic. They both indicate immediate process and execution and are windows into the doodler or tweeter’s sensibilities. “Artists” are lauded for such behavior because of their specialness.

I found this doodle the other day and think it is worth sharing. Withhold judgment re: style or context, and it gains power as a mystery artifact:

Polish Composer HENRYK GORECKI passes

12 Nov

Polish composer Henryk Gorecki, whose music has touched the hearts and minds of so many, passed away at the age of 76.  His 3rd Symphony is known as the Symphony of Sorrowful Songs … today we sing these for his passing.

Henryk Gorecki - Composer

There’s a beautiful excerpt from the 3rd Symphony with a video:


France and Waterland and Oscar Wilde

1 Nov

Musée des moulages (Lyon, France)

Observations  by Veronika Krausas

Last weekend was the official European premiere of Waterland, an electronic piece with text by André Alexis and video by fellow Catalysis Projects member Quintan Ana Wikswo, sound design by another Catalysis Projects member Aron Kallay, and music by yours truly.

The performance was part of the Concert International Alliance for Women in Music that will be/has been performed in Lyon, Taiwan and 4 other concerts in the US.

Musée des moulages

I ventured to France in the midst of their rioting and striking and somehow magically managed to navigate completely around all the problem days/spots etc. The concert was held at the Musée des moulages in Lyon, which is a super cool place to have a concert.  The large empty space was full of statues (reproductions of ancient Roman and Greek statues) with the audience in the middle surrounded by these silent and very attentive statues and 12 speakers.

After the concert, Mehdi, our wonderful friend from Lyon, took us on a ‘watering-hole’ tour of old Lyon that started out with a stop at Le Florian – a family-run ‘Pub Vénitien” that has been passed down from mother to daughter for several generations. It was really an interesting place with a very eclectic clientele, from toothless men to types that looked almost Mafioso and very well dressed.  It was small, intimate and full of character.

The painting on the wall behind us looked as if a pistol shot or sword had pierced it!  Because it was quite high up we all fantasized about it being a pistol shot that had been fired by someone who was either very drunk or had bad aim OR both.

En route we stopped by Place des Terreaux with a marvelous 19th-century fountain, designed and built by Frédéric-Auguste Bartholdi. (by the way,  Bartholdi is famous for having created the Statue of Liberty in New York.)  The plaza in the center of Lyon was magical at night surrounded by all sorts of folks strolling and some staggering around.  A few younger and more inebriated types who, were coming out of the bars, started to throw their friends into the fountain and some were just taking their clothes off and jumping in.  Talk about a juxtaposition, the night before this had been the precise location of some of the worst riots in France due to the French government trying to raise the retirement age by 2 years.  This night there was no rioting but happy lunacy.

Bartholdi FOUNTAIN: VK, Mehdi, Irish composer Judith Ring, Paris-based Australian string theorist Nick Halmaygi

Getting on the train the next day to go back to Paris we managed to stupidly get onto the TGV (the super fast train) going the wrong way!   We’ll blame it on not sleeping and Lyonaise hospitality!  But the conductor on the train was lovely, and let us ride back for free, despite our tickets being non-refundable!  The French are lovely people, they’ve got super fast trains, and their croissants really are so much better!

Finally, back in Paris I had a lovely fall Sunday afternoon stroll around the Père LaChaise cemetery with a slight drizzle.  I stopped by the graves of  two of my musical heros:  Jim Morrison and Edith Piaf.  The best grave stone was Oscar Wilde’s! 

The entire thing was covered in kisses & graffiti with little gifts and tokens left.  There was even a potato in the shape of a heart.

On my way back to LA the US border guard took my passport (none of them were smiling as they’re probably trained to do).  He took my passport and asked for the reason for my trip.  I said I had a concert.  He asked what kind of music it was.  I said “contemporary classical music” to which he grinned at me and said “I guess there was no mosh-pit.”  I replied “Sadly, no.”  He volunteered for the next time, if I should need a mosh-pit instigator!  That’s something to strive for – having a mosh pit at a classical music concert!  Wow that would be something.